OSCAR WATCH 2026: the movies

Frankenstein

Guillermo del Toro is such an auteur, his vision is always astonishing and yet beautiful. Frankenstein is obviously a labour of love for him. I heard him talking about not using AI, and only minimal special effects (for landscapes and animals I believe) but when it came to the castle, structures, laboratory etc, everything was built from scratch. I love this so very much. And it shows on the screen, everything has depth and beauty, and creates wonder and awe.

I loved this version of one of my all-time favourite books. It was beautiful, expansive, clever, dark, and gothic, just as Mary Shelley intended. Oscar Isaac and Christopher Waltz were manic and crazy and wild, but Oscar Jacobi brought beauty and heart to the role unlike I have ever witnessed or imagined. This is quite amazing given how much make up he was covered in. To make you and the appropriately named Mia Goth fall in love with him, showcases how brilliant del Toro and Jacobi are.

This was a stunning movie, I feel it will and should win some of the production nominations, and early on I was sure Jacobi would win the Best Supporting Actor, but maybe not as momentum gathers for Sean Penn. I feel it will win a lot of the production and design categories as it deservedly should. But there are more popular films this year and to me this is a shame.

Sinners

I really struggled with Sinners. I love a music film and I love a vampire film, and I guess they can cross over, but I just didn't feel it. I know many will disagree. I will admit the more time that passes since I watched the film, the more it does grow on me. I didn't dislike Sinners, I quite enjoyed it, I just didn't love it.

I thought it was beautifully filmed, but I also could see issues with some of the grand landscapes etc - they looked fake, unsure if they were but there was something distracting (in a bad way) about the sweeping shots.

The acting was great, it is a superb cast. Like a few films this year it was not the sum of its parts. I am torn over what to think in terms of the Oscars. It is up for a lot and will not go home empty handed. It may sweep the field, or it's rival, One Battle After Another may, or they may split it. I have some deep thinking before my predictions come out. Though it seems a certainty for Casting, Original Screenplay, and Score.

One Battle After Another

This was a wild ride and I bloody loved it. It took a little while to get into. The first 40 minutes or so, I was what on earth is going on, or rather, where is this going? But I was in, a phenomenal cast, some truly great character acting from great character actors and some amazing new-comers. The big Oscar tragedy/omission was Chase Infiniti. 

It was her entrance (well, her second entrance) that utterly blew this film from really good to fucking great. The heart and soul of the film, she stands head to head with Leo and Sean and steals almost every scene! That is something. She should have been nominated.

This is a film that is very difficult and complex to explain, it is an amalgamation of so much I don't want to give too much away. It commences in the past, the late 70s, revolution is in the air, the story is set up in ways you are unsure of until they unfold 16 years later. And this is when the ante is upped, and the wild ride really begins. Everyone connected with the revolution are separated but trained in protocols should old adversaries arise. And they do, and the chaos begins.

This is a thrilling movie to watch, the acting is superb, things start to interweave and tie in beautifully, I love a film with pay off and there is plenty in this. It is deeply dramatic, and so very funny. I believe it is Leo in one of his finest roles, nuanced and clever, dramatic and hilarious. Ditto for Benicio Del Toro and Sean Penn. In fact, Sean Penn is absolutely mesmerising in this. I am not even going to try and describe his character and the character arc...spoilers!!! Suffice to say he is grotesquely charismatic.

I have been a fan of Paul Thomas Anderson since Boogie Nights and Magnolia, and have always felt he was following in the footsteps of the great Robert Altman in terms of expansive casts with overlapping storytelling. He has been nominated over 10 times and NEVER won, surely this is his year. I think the film is a masterpiece and one of the best of the year, but of course, it is not up to me ;)
At this point he should win Adapted Screenplay, I am still weighing up on the rest.

Song Sung Blue

I loved this movie. I am a huge Neil Diamond fan, and I knew the film's story. Based on a true story about a couple who are in a Neil Diamond tribute band. It is a wild ride; it is joyous, funny, clever, dramatic, and melodramatic. But it hits the right note (pun intended). Hugh Jackman is really great in this, but Kate Hudson is phenomenal! She is just amazing. The supporting cast (Michael Imperoli, Jim Belushi, and Fisher Stevens head them) are also great.

Song Sung Blue has so much heart. And the bonus, so much Neil Diamond music. Including the obvious stuff (I can seriously live without hearing Sweet Caroline again) and lots of lesser known (not to me) stuff. I grew up in a house where Friday night fun was listening to Hot August Night, so I totally understood why the characters love Neil so much. Whilst there is joy and this is an uplifting movie, it does have some dark turns. The movie stayed with me for ages.

Only one Oscar Nom, for Kate Hudson, who totally deserves it, but it is a tough field this year. 

If I Had Legs I'd Kick You

This was another wild ride. Rose Byrne plays a psychologist with a sick daughter. Her husband (Christian Slater) is a captain at sea, and her colleague is her own psychologist (Conan O'Brien, in a wonderful serious turn), but he is trying to ditch her. Her daughter is all demanding (you never see her just hear her), and when the ceiling of their apartment falls in they have to decamp to a nearby motel. And one of her clients disappears leaving her - literally - holding the baby. Much more happens, but spoilers!

Byrne is superb as a mother on the edge of insanity and despair. Pushing life to the extreme, and exhausted beyond all comprehension. I would love to see her win this one, but it is a solid field. Her Best Actress is the only Oscar nom for this film.

F1

This is the age old comeback story, and set against my beloved F1 backdrop, of course I loved it. I was surprised to see it make the top ten, but the production values are superb, so maybe not that surprised.

I grew up with motor racing, and particularly F1, I have been to many races in Melbourne. I have not been closely following it for a few years now, mostly due to not having enough time to commit to a racing year, but one of my gripes over the years has been the loss of personality and risk. Obviously I want the racing to be safe, but the personalities have lost a little, well...personality.

Anyway, Pitt is great as the racer on the comeback trail, the shots of racing and behind the scenes ring very true. Shot within the actual racing calendar, this is a lot of fun and thrills. It should win Best Sound.

Sentimental Value

A Father tries to reconnect with his children while filming a film about his mother and his childhood in his family home. Stellan Skarsgard is wonderful as the ageing actor/father coming to terms with a lot of trauma whilst on the comeback to film.

The actresses playing his daughters are wonderful, as is Elle Fanning, playing, or trying to play his mother. The film uncovers generational trauma, and it walks a fine line of being overly dramatic, but it gets away with it. I enjoyed this one, the acting is great. Stellan may win the Supporting Acting Oscar, but it should win International Feature.

Marty Supreme

There were some really great parts in this movie, but overall I found it a red hot mess. Chalamet is good, but the film just doesn't seem to know what it was trying to do. The setting and ping pong was initially interesting and intriguing, but that was ditched in the middle to try and be a bit of a gangster film. It was all over the shop, and way too long.

Actors in supporting roles needed to be fleshed out more and given more screen time. Look, I have always been irritated by Gwyneth, but she played the aging screen actress so very well, I wanted more. Had that part been developed properly, she would have gotten a supporting nom. And Fran Drescher was exceptional as Marty's Mum, getting one phone and 2 smaller scenes, she stole the show. Had that been fleshed out more, she probably would be winning the supporting actress Oscar. 

I will be very surprised if it wins anything. There was momentum for TC to win Best Actor and I guess that could still happen, but that would be a tragedy far worse than having to watch this film again. I have only seen 4 of the 5 Best Actor performances and his is by far the bottom of the run.

Blue Moon

I loved this film so very much. It felt like it was written for me. It is about one night towards the end of Lorenzo's Hart life. His claim to fame was working with the great Richard Rodgers (Andrew Scott), as a duo they wrote some of the great standards from hte 30s and 40s, including Blue Moon, The Lady is a Tramp, Manhattan, My Funny Valentine, etc. Hart was the lyricist and on this night attends the opening of Oklahoma!, which is the new production by Rodgers with his new partner, Oscar Hammerstein.

Hart leaves the performance early and chats with the bartender at Sardis (Bobby Cannavale back to form from his early indi days). They chat about Casablanca, it's story, lines, characters. A gent in the bar also joins in, he is a young e.b. White, about to write a children's book!

I hung off every word, this could have been a play, but it still works. Great writing and dialogue, and exceptional acting. I really really want Ethan Hawke to win this, but I am unsure he will as the category is full of great acting. He won't care, he is better than that, but geez, if somehow he does get up, you will hear me screaming with joy all over the country!

Weapons

I am not a fan of pure horror, but I don't mind a good thriller, with horror elements, eg The Shining, The Sixth Sense, Get Out. Weapons falls into this category. I knew it was horror going in, but that was all. I was only watching it due to it being on the Oscar list and I have heard good things about Amy Madigan's performance. It also stars Julia Garner and Josh Brolin who are always great. 

The premise is simple, every child in Julia Garner's class (she is the teacher) disappears at 2.15 one night bar one child. The small town is beside themselves, where are the children and what happened. Basically, a classic premise, but what pushes this above and beyond your basic thriller/horror, is the sequence of the movie and the superb acting. The movie is told out of sequence, which really raises the edge of your seat, what on earth is going on, and saves serious details for towards the end. The acting is great. Anything more is spoilers, and this is a movie best gone into fresh. I will say I did work out roughly what happened very early on, but not how. As the how unravels, the horror is contained within, but is so very well done you cannot help but smile.

Only one Oscar Nom, for Amy Madigan, for Best Supporting Actress, seems likely to win, with only Wunmi Mosaku's performance in Sinners as the other likely win.

Bugonia

Another Bonkers film from Yorgos Lanthimos and Emma Stone. Emma Stone is the CEO of a pharmaceutical company. Teddy (the always brilliant and utterly robbed - he too should have been nominated - Jesse Plemons) is a conspiracy theorist who believes his mother was poisoned by the company.

He also believes that Emma Stone's Michelle is an alien, and along with his autistic cousin Don, they kidnap Michelle to prove their theory. There are flashbacks to his childhood and his mother, which enlighten the story, but to tell more would be wrong. You need to go with this film, and if you do the pay off is stellar. I loved this film. Both Stone and Plemons are phenomenal in this. It won't win anything, but I am just pleased it exists!

Hamnet

I meant to read this when it came out all those years ago, I have a copy at home and still haven't read it. I love my Shakespeare, so of course I knew the story. And I knew what the film covered, so I really went into this one fully prepared to be completely and utterly annihilated emotionally. Surprisingly, especially if you know me well, that did not happen. Of course I cried and got very uspet, but I was not the mess I thought I would be. Expectations...they are a funny thing.

Based on the death of Hamnet, Shakespeare's only son, and the grief of the family, particularly his wife, this is a tragedy of...well, Shakespearean emotions.

It feels like a play, it is beautifully filmed and the acting is superb. Jesse Buckley, (who I first saw in Chernobyl, then The Lost Daughter, Women Talking, and Wicked Little Letters all within a month of each other) is phenomenal in this. It is a heart wrenching and soul destroying performance, and if she does not win this Oscar I will be very surprised. This is utterly hers, the beautiful Paul Mescal was robbed, Chloe Zhao's direction is also amazing. It will probably only win Best Actress, but it is a very fine film.

The Secret Agent

I sadly missed this one, which is a shame as it sounds really good.

Train Dreams

Robert, a lumberjack working the great northern railway, Joel Edgerton is perfect in this blokey monosyllabic role. He meets Gladys in town and they fall wildly in love, build a log cabin in the woods and have a child. He spends many months working the railway, it is a deep, dark and traumatic existence. He comes home in one break to find his wife and child missing. Deeply traumatised, we follow him through his life and witness him witness great change in his world, specifically flight.

This is a really beautiful film, stunningly shot, but haunting and traumatic to watch. Up for 4 Oscars, it won't win a thing, which is terrible given Best Song is a great Nick Cave tune, perfectly suited to this tragic film.

It Was Just An Accident

I loved this haunting thriller. A family driving late in the night, hit a stray dog and their car breaks down. They are near a mechanic and wait for their car to be fixed. The driver is recognised by the mechanic by the squeak of his prosthetic leg, and is thought to be his former tormentor in an Iranian prison. The next day he kidnaps the tormentor to bury him alive, but the Iranian says he is not a tormentor, the mechanic is confused. And so the cat and mouse play continues, is he really the tormentor, and others also from the prison are called into play. 

This is a really good indicator of the times we are currently living in. The Iranian film-maker currently has a 20 year ban from working in Iran, but still continues to make and release films, this one financed by France. I really recommend this one, it is harrowing in parts, but not quite as bad as it sounds. It will not win anything, but just by being nominated it gets important politics recognised!

MAY/JUNE REVIEWS

Book Reviews 

Bright Shining: how grace changes everything by Julia Baird

Another glorious book from Julia Baird, discussing Grace, who has it, how to use it and how important it is. Baird describes it as mysterious, but you know it when you see it and it is the opposite of karma, those good deeds even to those seemingly undeserving. Filled with loads of stories from her family, her journalism, and her illness, you are very much inspired to do more good deeds!

Three wild dogs and the truth by Markus Zusak

A great memoir from Zusak about his life with dogs. He seems to attract challenging mutts. The stories are glorious; funny, sad, and wild.

Flames by Robbie Arnott

This is Arnott's debut novel and you can see how far he has come since then. All the usual themes, animals, nature, landscape, and flawed individuals. He does try to throw everything into this one, and it is a little flawed because of that. However, it is an engaging story about a brother and sister reacting to their mother's death. The impact of her life and death goes deep. He adds magic realism into it and it mostly works. If you love his most recent novels, which I do, you will appreciate this one greatly.

Brooke Shields is not allowed to get old by Brooke Shields

I love Brooke, and enjoyed her autobiography, but I struggled with this one. More about aging and menopause, which is mostly why I read it. But I have read a lot on that topic, so I felt she offered nothing new. Not a bad read, but just not for me.

From Under the Truck by Josh Brolin

This was an unexpected pleasure. What an interesting writer! I quite enjoy Josh as an actor, but really know nothing about him. This was a great insight, more a memoir than autobiography. Not in chronological order, but easy to follow. His writing is deep and thoughtful. There are stories from set, his family (he had a very challenging childhood, his mother was quite the character), and life generally. There are some really rough moments in his life and he is open and honest, and there are a lot of funny tales too. It has a beautiful balance, and is unlike most memoirs. Highly recommend

Love, Pamela by Pamela Anderson

I knew this would be good, and it as better than my expectations. I always knew about Anderson's high intellect, but could never understand her - to me - less intelligent roles. This answers all of that, she writes beautifully, with kindness and care but also marching to the beat of her own drum. She tells all, her terrible childhood, her desire for escape, and her long list of poor choices with men. She is also a poet, which sounds wanky, but she is good...like, really good. This is a great read, a real feminist manifesto, and opens you up to a truly special woman.

Understory: a life with trees by Inga Simpson

This is the year I 'discovered' Inga Simpson. I consider myself very lucky. Her more recent books have been recommended but I started towards the beginning. I listened to her read this on spoken word, and it was an experience that stays with me. It is what is called an eco-memoir. Inga and her partner buy a property in the hinterland of the Sunshine Coast. Their intent is to live with nature and create art and take on other artists in a residency. It is quite the journey. Her writing about nature is outstanding, you can feel and see every moment she describes. But she is not flowery but honest and at times brutal... as nature can be. Her love of nature and indeed art, and the art within nature, shines through. I loved this so very much.

Birdy by Sharon Kernot 

Sharon is an Australian poet, and her work is for teens. Birdy is a novel in verse, and it is wonderful. Maddy is mute, something has happened and her family are convalescing in an old farm. Maddy meets Alice, a lovely elderly woman, who also has trauma in her life, and they form a bond. It is a about loss and healing, but also about kindess and joy. 

Ella Fitzgerald: the official graphic novel (women in Jazz series)

Oh my goodness, this is the most beautiful books. Essentially about Ella, up upbringing and her music. It is an adult graphic novel and so beautifully illustrated and pulled together. I loved this!

The Next Big Thing by James Colley

I recently found out Colley is married to Miranda Tapsell, and she reads the audiobook I listened to. The Next Big Thing is a romantic comedy. Norman lives in a small (fictional) country town called Norman. He decides to build a big thing, to help the town and to show his love to a girl. I read the back of the book and it sounded like a funny book about the big things in Australia, eg The Big Pineapple etc. And it references a lot of them, and a big thing is built - you'll have to read the story to find out what! But it is more a romance, and about the angst you feel living in a small town and wanting to escape. Colley is a writer for many TV shows like Gruen and The Weekly, and he is a good writer and funny. This was a light book but enjoyable.

The Lantern of Lost Memories by Sanaka Hiiragi

Another Japanese comport read. Mr Hirusaka owns a photography studio on the way to the afterlife. After people die they are sent here to see their life in photography. They are to choose one photo for each year of their life for the next step of their journey (life flashing before your eyes), and they are allowed to go back to key moments in their life and watch them through their older eyes. This was an easy but beautiful read, a lot to think about, very zen and very Japanese.

You don't have to have a dream: advice for the incrementally ambitious by Tim Minchin

This is a little book, it could have been so much more, it looked like it was whipped up in one afternoon. It wasn't bad but brief and interesting, but lacked the depth I was looking for.

Earth to Moon: a memoir by Moon Unit Zappa

This was a cracking read, Moon Unit's memoir of herself and her family, particularly her father, Frank. It is mostly about Moon Unit's later stage in life, looking back at her extraordinarily creative and genius family, specifically her father, and how she finds her own self in their shadows. It is warts and all, and shows the flaws in her parents, and how she overcome them. It is LA in the 70s and 80s, and the rise of the Valley Girl, of which she is one. Loads of pop culture references too. I loved this.

Theory and Practice by Michelle de Kretser

This was not an easy read, Michelle often isn't, which is why I love her so much. She is always philosophical, and makes you think hard when you are reading, about what she is writing, and about what thoughts are coming up about your own life while you are reading her writing. She opens my mind so well, I love the experience, this is what I love most about reading. 

The book has different styles of writing, more in a Non-Fiction style despite actually being a novel, and it changes narrative, so a lot to keep up with. Just the kind of brain exercise that I love in writing. Mostly it is about a young woman in the 70s doing her thesis about Virginia Woolf and discovers some racist comments in her writing. It is also about desire, and a tryst with another student who is in a relationship with someone else.

After reading this, I saw Michelle in conversation at the Newcastle Writers Festival, and she was exactly as I imagined, but she drew new light on my understanding (or so I thought) of the novel, so keen to give it a re-read.

Quality writing, always a beautiful journey, and I cannot recommend this one highly enough.

Vivienne Westwood: the illustrated world of a fashion visionary by Tom Rasmussen and Illustrated by Marta Spendowska

This was a load of fun, with huge amounts of photos and illustrations of Vivienne's amazing design, also a potted biography, for those (not me) who know nothing of the designer.

The Burrow by Melanie Cheng

The Burrow is set mid-covid in Melbourne when restrictions were still in place. We follow a family still deep in grief after a horrible tragedy some years earlier. The father buys a rabbit for their daughter, and it becomes a beautiful focus for them. Because they are all mostly at home the suffocation of the situation is palpable, and the story is told from multiple viewpoints. When the grandmother come to stay, after breaking her arm, the drama escalates. 

The Burrow is more a novella, and it is very spare writing, the story unfolds slowly but beautifully. The characters have depth and their inner workings help move the story along. This is a really lovely piece of work, highly recommend.

Film Reviews

She Said

Based on the 2 journalist that exposed Harvey Weinstein. It is a tenacious film, about 2 great women, heroes of the me too generation. A great female cast, very much in the vein of All the President's men. I enjoyed this one.

A Friendly Tale

A great French film starring Vincent Cassel and Berenice Bejo, about 2 couples who are close friends. When Bejo's character announces she is writing a novel, the group dynamic changes as they doubt her ability. It shows the limitations of people, when someone is seen as one thing and appears as another. Very much in the style of French farce at times, until things really start to change. Great performances and a real think piece.

Memoria

Oh my goodness, this film!!!! It was on my mind for weeks after seeing it. It is a very strange but wonderful film starring Tilda Swinton. You can always rely on greatness if Tilda is involved.  It is difficult to describe this movie without spoilers, so I will be brief, but honestly I could talk all day about it. It is also a film that divides people, they either hate it or love, I fall into the later category. 

Tilda plays a Scottish woman living in Columbia. It starts slow and very quiet, and she wakes up suddenly in the early hours of the morning with a bang. The sound really bothers her but no one else seems to have heard it. However, the sound has heightened her sensories. She runs a flower market, but early on visits her sister in hospital in Bogota, the hospital itself is over an archaeological dig she in interested in.

As she continues to hear the 'booms' but no one else seems to, she visits a recording studio to see if anyone can help her work out what it is. From there strange things unravel, and when she takes a hike in the mountains, she meets a mysterious fisherman and they talk about his connection with nature. She stays with the fisherman and begins to understand how all of these odd events are connected.

I worked out what was going on fairly early on, but was not sure until the reveal, which I watched about 5 times as it was so subtle but spectacular.

This is not for everyone, it is a slow and subtle movie, a lot does happen but in it's own time. I bloody loved it!

Vita and Virginia

The love story of Vita Sackville-West and Virginia Woolf. Commencing with how they meet and the early days of Bloom. Gemma Atherton was a formidable Vita, and Isabella Rossellini was equally as formidable as her mother. I found Elizabeth Debicki a little week as Virginia and because of that I struggled with the film. I found it weak and at times melodramatic. It is a shame as visually it was splendid.

Perfumes

This was a good French film about a Chauffer down on his luck, he needs his job for the money to find a better apartment to gain custody of his daughter.

Memoir of a Snail

Another stop-motion animation from the brilliant Adam Elliot. It is the story of a snail, voice by Sarah Snook, who is separated from their family and their adventures while trying to reunite. As always the attention to detail is stunning, it is melancholy but full of humour. This was a beautiful film and piece of art.

A Women's Vengeance

This is a 1948 noir melodrama with Charles Boyer, Ann Blyth, and Jessica Tandy. Boyer is caring for his wife, but having an affair with a much younger woman. When his wife dies supposedly of a heart attack, he can now marry his lover. But did his wife die of natural causes? A good romp, with touches of melodrama.

Documentary Reviews

Hermitage

Behind the scenes of setting up a large exhibition in the Hermitage, stunning!

Rob Bryden and Sparks

Bryden interviews Sparks on the release of their latest album. Once he overcomes his excitement, the interview is great. Typical Sparks dryness laced with Bryden humour. A sheer delight.

The Piano series

Loved this series set mostly in Australian train stations. A piano is set up for people to play (obviously some have been sourced, but they are unsure exactly why). Harry Connick Jnr and Andrea Lam are hidden and 'judging'. Cue, prodigious children, quirky teens, and delightful elderly pianists! But what joy, if you love music, you must see this!

Love Opera

Behind the scenes at Brisbane Opera, and the auditioning process for a production of Carmen. Dramatic, brilliant, Stupendous!

Wes Anderson talking about his films

Exactly as you would imagine, although at only 1 hour, not nearly enough time. Wes delves into his stories, his actors, and the beauty and precision that is a Wes Anderson film. Utterly brilliant!

Television Reviews

The Lost Flowers of Alice Hart

This was a good adaptation of the book, but lacked the depth and inner thoughts that made the book. Great cast and beautifully filmed, totally worth a watch.

Am I Being Unreasonable

I gulped back both seasons of this amazing show. It is hard to describe, it is dramatic, hilarious, romantic, and crazy. Every time you think you understand what kind of show you are watching, it flips on you...and this is a very good thing. Staring the amazing Daisy May Cooper as a young Mum who has a huge secret. It focuses on her life and those in her life and the lengths she goes to hide her secret. This turns the show into a thrilling roller coaster ride. She is phenomenal, as are all the characters, especially the young actor that plays her son. I cannot really say much more except trust me, this is one of those unsung gems. S3 is apparently coming, very keen to see where this story goes/ends!

The Last of Us S2

Oh boy, hard to talk about this season without spoilers. Loads of things to be upset about in this harsh tale. Again, Bella Ramsey continues to shine. The entire cast is amazing. If you know the show, you will be equally in love and annoyed with it as I was. Great television.

The Walking Dead, Daryl Dixon, The Book of Carol

I am enjoying this spin off from The Walking Dead, this is S2, it is still set in France, and is great. Carol and Daryl are easily the best characters (that are still alive) from the original show and this is a great showcase for their talent and to expand their universe. 6 tightly wound episodes, I gulped them back and eager for more.

Taronga

I love this show, and slowly making my way through it. Behind the scenes at Taronga Zoo, narrated by Naomi Watts. Lots of amazing people looking after amazing animals, what's not to love!

MARCH/APRIL REVIEWS

Books Reviews

Let us Descend by Jesmyn Ward

Another great novel from the exceptional Jesmyn Ward and the opening line sets the pace:

"The first weapon I ever held was my mother's hand."

Annis and her mother are enslaved on a plantation.

When her mother is sold off and they are separated, not long after she is sent to a chain gang, moving from North Carolina to Louisiana. This section is long and arduous. It has taken some criticism, but Ward always delivers reality. Her words are smooth and poetic. Annis dreams wildly and heavily about her mother, and where she may be. The story takes many twists and turns and whilst quite brutal at times - this was Wards intent - there is hope and humour laced within.

Jesmyn Ward is easily one of the best young African American writers writing today. I always look forward to her next book.

Orbital: a novel by Samantha Harvey

A marvellous novella, set in one day in space where much happens. It follows each astronaut on their routine for that particular day. The space of space is momentous as you read. The simplicity of their everyday routines against this epic backdrop of numerous days in one is a revelation. Samantha creates such an atmospheric novella, and a meditative experience. This is one of those beautiful stories where nothing seems to happen, but yet everything is happening. You can see why it won The Booker.

A Language of Limbs by Dylin Hardcastle

I really enjoyed this Australian novel about finding yourself. It is a difficult one to write about without major spoilers. It tells two stories simultaneously, about 2 queer girls. One who is found by her parents in the back shed with another girl at 15, beatings are had, and she runs away never to return. Her life is full of twists and turns, but ultimately she is living as herself. The other young girl keeps her queerness to herself, and lives a good but hidden life for 30 years. The stories intertwine and are interesting and as you move through you start to wonder if this is as it appears, is it about 2 different characters or...well, that would be a spoiler. Highly recommend.

The Last Devil to Die by Richard Osman

4th in the Thursday Murder Club series. I continue to enjoy these romps with our four main characters, seniors solving murders. When their friend, the antique dealer is murdered, they must try and solve it. The world of these books continues to grow, as does the depth of the characters. Things get dark in this one, but it is still a great read with humour interlaced. 

Tilda is Invisible by Jane Tara

Tilda is middle aged, has adult children and is divorced. When she literally starts to disappear she realises she needs to make some changes in her life. This was fun, if you delve too far into it you noticed the clunkiness, the flaws, and the annoying bits, but reading it about the surface, you laugh and have a bit of an escape.

Killing Time by Alan Bennett

This is a short novella about a nursing home in lockdown. As always Bennett, now in his 90s, is sharp and witty and honest and bold. 

The Art Thief by Michael Finkel

They say truth is stranger than fiction, and no more than The Art Thief. This is the true story of a young couple who stole a lot of art from galleries and museums. They retell the story to the author who tells it in his own words. It is a fascinating look into how poorly galleries and museums are set up, especially the small ones. And how brazen people can be. It was a page turner like a thriller novel, except this was real. I really enjoyed this one.

The Season on talking book read by HG

I have reviewed this gem before but when the spoken word version, with Helen herself reading it, came through at work I had to listen to it. Listening to Helen read her story is better than reading it yourself. Her tone, inclination, and subtle humour shines through.

The Shadow Box by Jean Kent

Lovely poetry set against the Parisian backdrop by local poet Jean Kent.

Unveiled: a memoir by Vincent Fantauzzo

Vincent Fantauzzo is a great portrait artist, his amazing portrait of Daniel Johns won the Packing Room prize at The Archibald, and he has submitted many to the competition, but never won. HIs memoir tells the tale of his tragic childhood and how art saved him. A fascinating insight into the art world and the man himself.

Dare I Say It: everything I wish I'd known about menopause by Naomi Watts

I have reading much about Menopause lately so this didn't really tell me anything different. But this is totally worth reading, it is smart and intelligently informative. Each chapter has a little recap which is great. Naomi has been advocating for Menopause knowledge and understanding for ages now, probably one of the few celebrities really putting this out there. She seems genuinely concerned. Worth a look if you need this.

Film Reviews

Strange Way of Life

A Pedro Almodovar short film, 31 minutes, staring Ethan Hawke and Pedro Pascal as cowboy lovers. A strong and powerful film but I wanted more.

EO

EO is about a donkey who is travelling through its world in Modern Europe, it get moved by humans, ill-treated, escapes and goes on its own journey. Basically a story about the inhumane some animals are treated. It was pretty full on.

Fun Mum Dinner

I watched this for Toni Collette, Bridget Everett, and Molly Shannon. Look, it was a silly comedy with a very boring script, but seeing these wonderful gals on screen was joyous.

Mafia Mamma

Toni Collette finds she is summoned to her Italian roots after her grandfather dies, only to find she is now head of a mafia family. Look, this was ok, a bit of fun, but nothing too deep. Collette is always good in anything she does, despite a dodgy script.

Television Reviews

Severance S1

We started watching this when it first came out and found it a bit heavy going. When we returned to it some time later we were hooked. It is hard to write about without spoilers. It is one of the best shows I have ever seen. We watch as Adam Scott turns up to work and find out he has been 'severed' and leading essentially two lives. One at home where he doesn't know what he does for work and one at work where he has no recollection of his life outside of work. This is something you can do, but why? What is the organisation that does this, who is running the show and why are there glitches. Absolutely compelling viewing, very dark comedy interweaved with intense drama. 

The cast is phenomenal with Scott being joined by John Turturro, Christopher Walken, Patricia Arquette, Zach Cherry, and a bunch of amazing unknowns. The stand out being Tramell Tillman as their stitched up boss Milchick. Also visually exquisite, this show is unlike anything you have ever seen. We devoured it and have many many theories!

The White Lotus S3

This definitely was the weak link in the chain of this series. Nothing really happened until the very end and then it was predictable. As always there were no redeeming characters, but that is ok. I was just bored by this one.

The Handmaid's Tale S5

I am way behind on this series, mostly as I need to garner up the courage to watch it. It can be difficult, this picks up after the wonderfully gruesome ending to S4 and we follow June back into Canada. But life on the outside isn't great without her daughter or Gillead still operating. I do love this show but boy, it can be rough.

The Newsreader S3

As we head into the 80s, the demons of our lead characters are breaking through the cracks. The news covers The Logies, Oil Spills, and the Berlin Wall amongst other news. There are triumphs and some comeuppances! This is so well produced, the set design, hair and makeup and so forth, you are truly transported.

Documentary Reviews

Becoming Led Zeppelin

Great doco about how Led Zeppelin formed and came to be. Loads of music, interviews, excess, and humble brags...exactly as you would expect. It was a great watch.

Little Richard: I am everything

This is a little underrated gem, much like Little Richard himself. Such a showman, such a tragic character. It follows his trajectory and interviews loads of musicians, most of whom explain what they stole from him.

John Water's moustache is because he loved Little Richard, Elvis called him The King, Mick Jagger watches him and realised you can use the entire stage and not stand in one spot to sing.

I covers his dark years after his car accident and his triumph of being inducted into the Rock and Roll Hall of Fame. This is a special documentary, and well worth watching.

SHE'S SO UNUSUAL: She's an International Treasure - CYNDI LAUPER IN CONCERT

I have loved Cyndi Lauper since she burst onto the scene in 1983, I was 12. I was always drawn to the unusual, and she certainly was, she said so herself!

It was her voice, the music, the colour, the clothes, and the fun she was definitely having. Girls Just Want to Have Fun was an anthem then, although I didn't know that, and it still is.

When she announced this tour and it was coming to Newcastle I was excited, but then I found out it was at The Shed, I hate that venue. Some friends were thinking of going, but that fell through and I decided I would get a ticket and go solo. But then other friends decided to go and invited me, yay! And we got some really decent seats, especially given it was pretty last minute.

Because it was last minute and because it was the Monday after the Writer's Festival weekend, I hadn't really thought about expectations. We arrived and caught the last 2 songs from The Veronicas, and they seemed like a tight group with good voices.

During the break we sat and took in the crowd, a real range of ages from much older than us to young kids and everyone in between. There was a lot of dressing up and colour and so much laughter and joy. It was contagious and fun to be within. We were in the 12th row which was pretty close. Behind us was a lady with the exact same cut and colour from Girls Just Want To Have Fun film clip, it was her own hair and I was super impressed and gave her two thumbs up, lol!

I read a review a few days later that said it was more than your average concert, and that was an understatement.

The vibe was high as they played a video montage of her career, and the enormity of Cyndi as an artist really sank in, I got emotional and very excited.

The huge glitter bombs popped on stage and she appeared and got straight into She Bop, the perfect opener. We were on our feet and in awe.

In fact, the first 4 songs, She Bop, Goonies theme, When You Were Mine (which Prince wrote for her) and I Drove All Night, showed the powerhouse singer and range in style that she has. 

Each song had videos made to go with it which added to the spectacle and her band were really tight. They were a mix of young and old and all were excellent musicians, who obviously loved being there and playing with Cyndi.

But Cyndi, she was amazing!

Almost unbelievably so.

She looked great, sounded fantastic, and told many amusing and interesting stories in between the songs. Stories of her life, her feminism, her songwriting and more. 

And that accent, absolutely adorable.

ONce she swore, looked into the audience and saw kids and apologised, she was very humble and sweet.

She spoke about Molly and his support but then also mentioned he had been cancelled, which is not exactly true but close, lol.

She spoke about women in rock and how elder statesmen in the industry were dismissive of her and she ratted off a list of strong women who came before her. This led into her singing Wanda Jackson's Funnel of Love!

The concert was incredibly arty, and she spoke about that, from the set design, to the costumes, to the videos, it was as visual and it was musical. 

She wore this amazing flowing white dress during I drove all night, to which old cars were projected, very clever. She said she wrote that, because there were so many songs about men and cars, why can't a woman write one too!

There were many costumes changes, some funky and cute, and some extravagant and mesmerising.

She wore a washboard dress to Iko Iko, so she could get her rhythm on.

For the haunting, Sally's pigeons, she wore a dramatic black dress, but pulled off her wig for a pared back look. She wore many wigs during the night. During one costume change, the cameras were with her to see how it happens so quickly. She was full of praise for her stage, hair, beauty help, and for her band. It is clearly reciprocated too.

She finished the show with Time after Time, and a very rousing version of Money Changes Everything, but we knew she would be back for an encore, but we didn't realise how amazing it would be.

Just to the right of our seats, was an area, that we thought was a mixing desk, but no, it was a small stage, and for the encore she came down the aisle and went to that stage.

We were beside ourselves, we moved ever so slightly to be closer and if we had reached out we could have touched her. Grins on faces all round, we just couldn't believe our luck!!

She sung Shine, and then some fans started up and she reached into an old suitcase for a rainbow coloured long scarf, and sang True Colours and it was jaw droppingly good. Her voice, as good, if not better, it sounded as good as the record, truly beautiful and emotional moment.

Then she talked about a famous artist she had met, and I realised she meant Yayoi Kusama, and she changed into a red and white dotted dress and made her way back to the main stage to the opening strains of Girls Just Want To Have Fun. Her bands were dressed similarly and they pumped it out.

The evening ended with small cannons pushing out streamers of red and white into the crowd. Everyone was on a high, it was one of the best concerts I have seen I declared as we walked back to our car.

She fierce and authentically herself, she was a role model to women and the most brilliant performer; what a show!!!!

Setlist

She Bop

The Goonies 'R' Good Enough

When You Were Mine

I drove all night

Who let in the rain

Iko Iko

Funnel of Love (Wanda Jackson)

Sally's pigeons

I'm gonna be strong

Sisters of Avalon

Change of heart

Time after Time 

Money changes everything

Encore

Shine

True colours

Girls just want to have fun

NEWCASTLE WRITER'S FESTIVAL 2025

 As always NWF 2025 is my weekend of the year, I am a Librarian after all!!

I have also always called it Mecca for Book Lovers.

It is pure joy, and so incredibly stimulating.

Here is my breakdown.

Opening Night: Benjamin Law in Conversation with Gina Chick

I have never missed an opening night, and whilst I didn't really know Gina Chick, that didn't stop me. I do however love Benjamin Law. I first came across him as a journo and columnist for various quality mags and newspapers. His book came across my way at work and I read it immediately recognising his name. And then I loved him even more.

I was lucky enough to meet and have a conversation with him at the Newcastle Young Writers Festival well over a decade ago. And remember him and his partner at Marieke Hardy's curated People of Letters Program at the 2014 SWF. I don't really get fanatical about performers, but I do love to share the love around, and Ben is one of them.

So I was keen. 

It was a great night. The usual chats and thanks from ever brilliant MC, Dan Cox, Uni VC, and our heroine of the moment, Festival director, Rosemarie Milsom.

Ben was Ben, charming and intelligent and hilarious. Gina Chick was entertaining, better than I thought. Whilst she poo-pooed Woo Woo and Hippyness, she was definitely a good smattering of both. Some of her stories were fascinating, others not so much. I didn't hate her, but definitely didn't mind her.

SATURDAY 5 APRIL

Saturday is the big day! It is not for amateurs, lol! I go all in on the Saturday, and for the past few years Andrew was with me, this year also. He loves the weekend as much as me now, which is kinda everything to me!

We arrived early, around 8.45am, to get breakfast from Olive Tree markets, and then head to our first session.

Breaking the news: the future of media 

Rick Morton and Eric Beecher were in conversation with Kylie Morris. Rick is a young and wonderful journalist for The Saturday Paper. His autobiography, One Hundred Years of Dirt, is remarkable. Eric Beecher is the editor of Crikey! Kylie Morris is a Foreign Correspondent, she is the wife of Bharat Nullari, director and show runner for Boy Swallows Universe.

They spoke about the media today, the future and all things Murdoch. Spoiler: they are not fans, lol! It was such an honest and glorious chat about their backgrounds, and past work, and work today. They have different styles, but clearly think similarly. These people that report honestly, are the heroes of today. Was a pure pleasure to be in their midst.

A wild life: Markus Zusak in conversation

This was a big one, you could feel the excitement in the air as people lined up outside the theatre at The Con. My history with Markus goes way back. When I was a new Library worker, I did a lot of kids and teen work and programming. He was a teen writer back then, and I had enjoyed his book, Fighting Ruben Wolfe, a book about boxing for tween boys.

I headed to a Teen Conference at the NSW State Library in the early 2000s and Markus was our guest speaker. He was there to talk about writing for teens, and his new book, yet to be published, The Messenger. He would have been in his mid to late 20s, but looked much much younger and was very good looking. You could feel the silent oohs of a room full of Librarians straighten up and sigh with a smile. He was either on his way to or from his publisher and showed us his manuscript for The Messenger, with playing cards taped in - just as they would be in the book when I read it later in the year.

You knew he would be a star.

How much of course, was beyond our wildest imagination.

So twenty years later I saw him again, and he was everything. Humble, funny, intelligent, warm, generous and engaging. He was in conversation with the lovely Dan Cox, and talking about his new book, a memoir of his dogs. He held the audience in the palm of his hand. He is the superstar of Australian writing. The author who struck gold. And yet, he was so available and open to everyone. He signed books for 3 hours after his session, ensuring every person got a good chunk of his time. His appearance was simply a gift to book lovers.   

I cannot wait to read his book and wish I had time to line up and tell him the above story, I think he would have loved it.                                                                                                                                                                               

                                                                  

Theory and practice: Michelle de Krester

I was thrilled to see Michelle de Krester in conversation with Michaela Kalowski. I have loved her work since reading the epic Questions of Travel many years ago. Her books are highly philosophical and at times a little stream of consciousness. She plays with book format, and her latest is the perfect example. She wrote it as if it was non-fiction, it is a novel, and she purposely used many non-fiction tropes within it. I had read and enjoyed the novel, Theory and Practise, but struggled with it at times, this was when she changed the writing style. Had I known this going it I think I would have loved it more. I need to re-read it. 

She spoke about the research for the book, and whilst fiction, how much of it was based on her own time at Uni. She also went into behind the scenes of writing, her style, and especially her style in this latest book. She was exactly as I imagined, quietly spoken but strong of convictions, highly intelligent, lovely and beautifully presented.

After the voice referendum: Thomas Mayo in conversation

While I was at Michelle de Krester, Andrew went to Thomas Mayo in conversation with Clare Wright. He said it was an uplifting session, with a lot of hope. Very powerful and wonderful.

LUNCH

Breaks are important at festivals such as this, you need sustenance to keep you going and you run into friends. I love festivals for catching up with friends I have not seen in a while or close friends. This is one of the best aspects of the festival. We found a great Woodfire pizza near the Uni, especially for the festival, and enjoyed a nice pizza. This gave up time to debrief, see and chat to friends, and take five with some yummy food before going back into it. 

The men who killed the news: Eric Beecher in conversation

After lunch, we headed back into the media landscape. Eric Beecher again, this time in conversation with the goddess, Jennifer Bryne. They spoke about his latest book, which 'lifts the lid on the abuse of power by media moguls', and his grand career as a journalist. They had worked together, way back, and had a great rapport. Both Andrew and I have a big crush on Jennifer so it was great to see her there in front of us. I loved that Eric said the news of now and the future are podcasts and Substack, two things where I mainly get my news from now. Phew, I am not as old and backward as I have thought. This was a good session.

Stories with heart: Anita Heiss in conversation

Anita is a long-time friend, so seeing all her sessions was a must, and I will try not to be biased, lol. Anita was in conversation with Courtney Collins. Both had a great rapport, and the session was a sheer delight. Hilarious and insightful this was a cracking session. Anita talked about both her new books, Dirrayawadha, historical fiction about the frontier wars in Bathurst, and Red Dust Running, chick-lit. 

She had the audience in the palm of her hands, with her fabulous commentary, about love, life, Indigenous history, and behind the scenes of writing. She commenced the session with a call to country in indigenous language, which is a real treat. She spoke with Courtney about her work, she is prolific, and her new publishing company, and everything in between. Engaging, and generous, this was a fun and informative session.

DINNER

We had a few hours break before our last session, so jumped on a tram and headed up to the beach, then had a light dinner at Grain Store. We then headed back to the playhouse for the final session. While waiting, we got to see some of the authors arrive for the session. Andrew was thrilled with a small exchange with one of his faves, David Marr. I was thrilled to see Marieke Hardy, who looked amazing. We caught up with friends and excitement and buzz was in the house.

Better off said: eulogies for the living and dead

Better off said is Marieke Hardy's latest salon and it is a cracker. Her first was women (and sometimes men/people) of letters, where she would curate a group of women (men/people) to write a letter about a specified topic and they would give a live reading of it to an audience. I have been lucky enough to see a few Women of Letters, and they are always magnificent. My favourite was at SWF some years ago, and it was couples reading letters to each about how they feel about each other. Dr Karl and Zan Rowe, about working together, Ben Law and his long time partner, and so on. But the evening ended with David Williamson and his wife. She spoke first and about helping David through his recent stroke. Not a dry eye in the room, and when David took to the stage he was so emotional he couldn't go on and the night ended abruptly!

Better off said is similar, still a letter, but to someone or something you know or knew and things you wish you had said to them. 

The evening was hosted by Emilie Zoey Baker, under the watchful eye of Marieke. Zoey was the perfect host, quirky and funny, kind and welcoming.

The first author was Krissy Kneen with a hilarious but touching reach out to her ex best friend. Krissy was wonderful, a great start to the evening. Anita Heiss was next with a love story to her father, who passed 10 years ago. It was very warm, funny, but also not a dry eye in the theatre at the end of hers. She really rose the bar. Next up was Nikki Gemmell, with tribute to her recently passed father. Sulari Gentill told a great story about a lawyer who saved her bacon very early on in her law career. He was from the opposite side but still fixed her mistake and was an older, polished gent named Rolly. Hers was a thank you to him, and of course she named her main character in her series, Roland, after him.

David Marr rounded out the evening with a brilliant eulogy to Rupert Murdoch, who had passed on this very day at 108. It was eloquent, clever, sharp, political, and hilarious as only you can imagine. Marr at his finest, he had the audience in awe and laughing. It was a charming and lovely evening. I got to speak to Marieke on the way out, thanking her to her involvement in Broad Radio, which I love. She was really chuffed, genuinely too. I hate fangirling over people, it is so very uncool, but if I can think of something genuine to say and the timing is right, I find you get genuine back.

It was the perfect way to end a perfect day, we got home around 9.45!

SUNDAY 6 APRIL

After hitting our fave cafe for a big breakfast, we headed for Sunday, a much lighter day.

Culture and the creative spirit

We split up for session one. I was at Nardi Simpson and Anita Heiss in conversation with Kate Mildenhall. This was by far Anita's best session. I was there early, had a chance to chat to Anita and to listen to Nardi warm up. Nardi is a musician and poet, her songs are stunning. She was walking nervously around the room humming to herself. 

The session started with Nardi singing us a song in her language, one she had written earlier that morning while going for a walk at the beach. It was stunning. I have sung indigenous songs in choir, and they are always beautiful to sing, a lot of vowels which open the song up, and almost always in the minor key. So she had us all hooked in and a little teary. 

Both Anita and Nardi were differing writers, and personalities, and yet they complimented each other beautifully. They both spoke about country and writing about it, how they write, when they write and how creativity is sparked. Whilst they both spoke about their new books, it was more about writing, their heritage, and what they most want to convey with their words. This was great.

The correspondent: Peter Greste in conversation

While I was with Nardi and Anita, Andrew was with Peter Greste. He said it was pretty intense hearing about Peter's ordeal, but how he dealt with it then, and even now. He said Peter was quite commanding, but also humble and lowkey. He also was amusing, talking about the film coming out about his experience with Richard Roxburgh playing him. Sounded like a great session.

Pushing the boundaries: John Safran in conversation

Another biggie, we headed to Safran. We both fell in awe/love with Safran from Race Around the World. I had recently read his book and had very mixed feelings about it, mostly worried for his mental health. He was in conversation with his good friend Marieke Hardy, and it was a great conversation, they have great chemistry, and he indeed seemed ok. He spoke a lot about the book and why he did it but mostly the first half of the book, which I loved, and not so much about the later half. This was what I found concerning, so I guess spoilers. He was funny and Safran, the session was wonderful.

sidenote: Good friends were at the session, and then headed to Darby for lunch, he ended up at the same cafe. They chatted to him and he ended up heading to their place nearby. I saw a message from them as I was leaving the festival but was tired, I didn't read it properly until I arrived home. They had invited me over, I was stuffed so dumbly declined. They said he was lovely and quiet and interesting.

LUNCH

More catch ups and chats with people we knew, and lovely savoury crepes for a light lunch before Andrew headed home. He had a great weekend and had thoroughly enjoyed himself, how my heart swells at this. To know my partner in crime enjoys what I enjoy means everything to me.

About a boy: Helen Garner in conversation

And so to my final session, one of my all-time favourite writers, and easily Australia's best writer, Helen Garner. She was in conversation with Rosemarie and the theatre was packed. I was in the sort of front row. I had run into an ex-colleague and her family beforehand. I had not seen her in a long time, so was thrilled to see her, I took my seat right next to them, how perfect!

As soon as Helen and Rosemarie took to the stage, I teared up. I get so emotional with some people, Helen is one. She means so much to me and I know at 82, she is getting on. She certainly writes about it in her latest book, The Season. She was sharp and smart and funny as always, but you know, this might be the last time I see her IRL. I felt a little silly for getting weepy and hung my head a bit until I realised it might look like I was falling asleep lol. After I saw a close friend and they said they also teared up for the same reasons! Yes, I felt much less silly.

Anyway, Helen spoke about her book, her family, writing and everything. She was generous with her words and her time, and she had us all in awe of her genius. Rosemarie did ask her what was next, and she said she had nothing. This was dreadful to hear, I suspect she will write small things for serials and newspapers as she always had done, but The Season may be her last book.

It was the perfect way to end my festival, I mean, how can you top Helen Garner, I drove home for a long nap.

Huge thanks to everyone who pulls together this special weekend, I know it is a huge cast of behind the scenes people and volunteers. Just marvellous. But without the incredible vision of Rosemarie Milsom, there would be no festival. What an inspirational woman, thank you!!!