Roy Orbison's Crying is my third favourite song
of all time and the third song in my Perfect Songs series.
I only have a top three when it comes to songs,
after that just favourites...plenty of them and they vary. Maybe one day I'll
work towards a top 5, 10 or 20...or maybe not.
So Crying...
I've always loved this song, but in 1987 Roy
re-recorded it as a duet with k.d lang, and it won a Grammy, and the same duet
charted again in 1992. I love the harmonies of that duet and by that age, 21, I
was well versed in the sentiment of unrequited love (quite frankly a recurring
theme in my life!) and the song just got me, or rather I just got the
song!
You know that thing when you've known a song pretty much all your life and then suddenly you get it!?! It takes it up to a whole other level. That's Crying for me.
You know that thing when you've known a song pretty much all your life and then suddenly you get it!?! It takes it up to a whole other level. That's Crying for me.
Roy's voice is perfection in it, well, let's face
it Roy's voice IS perfection, those high angelic notes and deeper alto lines,
his range is terrific, but when he hits those high notes, you get chills, the
hair raises on the back of you neck, and it brings a tear to your eye...always!
And he makes it all look effortless too. The thing about Roy's voice is the
melancholy and longing in it, coupled with the fact his life wasn't exactly
sunshine and roses, and that adds an additional element to the sound.
And on top of that, he is so freaking cool, all
black, the dark sun glasses, the stillness of his guitar playing, his strong
barely moving stance with just a hint of rhythm within his body or moreso his
wrist, and that stoic face. He'd give Johnny Cash a run for his money with his I
don't give a shit attitude...until he opens his mouth...I love the juxtaposition
of it all.
The song itself is a simple melancholy melody,
almost with a country twang...almost. It pauses and stops and starts with the
emotion, and the harmonies roar and shine and build bringing in Roy's falsetto
beautifully, at that point where he lifts it at You don't love me...the pain in
that line kills me every time.
The words perfectly describe that moment when you
see a lost love that you haven't quite forgotten. Whether it be lost or
unrequited love, and that sinking feeling that overcomes you, be it a look, a
touch of your hand, and that devastation you feel. A feeling you thought was
gone and buried, but it rises to the surface so swiftly it takes your breath
away and wounds you simultaneously. We've all been there, and I think that's
what strikes the chord, a simple yet universal story backed by a simple yet
solid melody.
I was all right for a while
I could smile for a while
but I saw you last night
Three simple lines...but so much meaning and
depth
I thought that I was over you
but it's true so true
I love you even more
than I did before
Oh boy, that sinking feeling, that depth of
misery, that hopeful feeling that deep down you know is unfounded.
Crying simply is for anyone who has shed tears
over a loved one, or appreciates a singer with complete control over his
instrument.
Here's the original version followed by the duet
with k.d. lang. Her harmonies take an already perfect song to a whole other
level.
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