Carole King and James Taylor Troubadour Reunion

LOCATION: Sydney Entertainment Centre

DATE: Tuesday 6 April, 2010

WITH: Vince and Nolene

I lived and breathed with these amazing musicians last night and it was beyond magnificence.

To be honest, when Vince originally asked if I would like to attend this all those months ago, I did hesitate. I have always loved the songs of Carole King and indeed her singing but tended to prefer others singing her songs; and James Taylor I could take or leave and the tickets were insanely expensive. However I did have Carole King's latest (2007?) album of live songs and it just made me smile and I had recently seen a live show Taylor had done recently and his warmth and humour amused me greatly. And who can knock back amusement and smiles along with songs you know and love???

I am so, so, so pleased I decided to go to this!!! I went in with no expectations but hoped to hear One fine day. I love the opening piano hook and it is a great song (although The Chiffons do sing it much better than King) and they did not do it, but I did not mind. The night was pure magic.

Both Taylor and King were on stage together the entire time, about an hour the first half, a short 20mins break and then at least another 90mins, maybe more with encore after encore. I have been searching the net all day for a set list, but to no avail, yes the concert was last night, but I have a small recollection of order and probably only remember half the songs - this says more about my shocking short term memory than the concert of course. Mind you I could have been like the loser in front of me, spending more time on his memeallaboutmephone...oops I mean iphone, but then he probably has the set list today :)

So, it was mostly Carole on piano and Taylor on guitars, 1 electric and 1 acoustic, both ordinary looking, and he played incredibly well as you would expect. I read somewhere once that when guitarists keep changing their guitars it is more about look at what a wonderful guitar collection I have and maybe you will not realise I am not so good at playing, that amused me! Taylor was the antithesist of this. They were backed by the band that played with them at the Troubadour all those years ago; Danny Kortchmar on guitar (amazing), Leland Sklar on bass and Russell Kunkel on drums. This familiarity helped enhance the music. There was another keyboardist and three backing singers. The stage was spare, the lighting just right and occasionally the odd 'slide' with images or photos. See, in this cookie cutter world of image and technology, this is most unusual. Let's face it when you have their talent, looks, image and the cover of high drama is not needed!!

Seeing Taylor and King perform together was powerful, these are people who know each other very well, loved being around each other, meld easily into one when singing and just appreciate and are in awe of each other at the same time.

And James (in his early 60s) looked gorgeous, that smooth voice has not changed a bit over the years, he might have lost his hair (who cares!) but that face and those beautiful eyes shone through. His grace and humour was warm and welcomed, with funny insights, comments and love for his audience, band members and of course Carole. Someone yelled out "I love you James" and he replied he loved us all too and I thought to myself, hmmmm, thank you!!!

But Carole - for me - stole the show, in her late 60s (68 I believe) she looked fabulous and natural and was having a blast on stage. Her voice was a little more gravely than when she was younger, but to me, this gave her an edge of knowing and stunning that only enhanced her music. The smile on her face never left, she was loving every single minute and so was I. When she sung I was in the palm of her hand and realised although her voice may not be as good as Aretha, The Shirelles and all those fabulous people she wrote for, her interpretations (that only she would know best, having written the song and all!!!) made the songs all the more richer, and hearing them live was like hearing them for the very first time.

I do remember the evening started with Taylor's Blossom, he also sang favs such as Carolina in my mind, Fire and rain, Sweet baby James, How sweet it is to be loved by you, Mexico, Steamroller, Copperline. His playing and phrasing were sublime and smooth, he enjoyed playing the tunes and chatting to the audience and band about them in between. He was humbly amusing and quite witty, something a little unexpected I think.

Carole had a grand time, she belted them out, and was awe inspiring. As laid back as James was she was right there and in your face, this worked well. Although she also spoke to us between songs, she had less to say and let's face it when you begin a song with I wrote this and it was covered by The Beatles, what more can you say? That song was Chains and a perfect example of the type of song she writes, the audience rocked out with her. Her songs ranged from the ones she wrote for others and the big hits. Her range, although known, was beyond amazing, the woman is a musical genius. She sung I feel the earth move, It's too late, Smackwater Jack, Sweet Seasons, So far away and Beautiful. Sweet seasons and It's too late were standouts, love the piano riff in the later and the rhythm and movement of the other.

When Carole sang a song James played and sung back up and vice versa. But, some songs were done as duets and they were show stealing. Carole's first hit, Will you still love me tomorrow, was beautifully sung, as was an intimate version of the Everly Brothers (also written by Carole) Crying in the rain - James on guitar and Carole on a stool next to him, snuggled up close...sigh! They also did Up on the roof, reworked as they both had done differing versions of it and ended with a bizarre version of Locomotion. To be honest this was the weakest link of the evening and a shame to end it there. I think it was because of Kylie, in fact when she mentioned another song she had written was covered by Kylie Minogue a collective groan was heard through the audience, however it was a bit of fun and for a song originally written for Little Eva, the oldies in their 60s rocked it out!!!

But the standouts of the evening - for me - were 2 songs I kind of thought (before the concert) I could take or leave. They are indeed GREAT songs, but you know sometimes you just hear a song way too many times to appreciate any more. That's how I felt about these songs until last night and I am not too old or ashamed to say both brought to tears and they both certainly gaves me shivers - you know the right kind, when something touches your very soul and gives you meaning and hope!!!

The first was You've got a friend, originally written by Carole, but given to James and he made it his own. Listening to their duet of it towards the end of the evening was insightful, touching and beautiful. The sentiment of the lyrics and simplistic tune, overdone for all these years suddenly seemed fresh and new and full respect and understanding was renewed.

The other was fairly early in the show, (You make me feel like) A natural woman. It was a powerful moment. Originally written for Aretha Franklin, whose version is amazing, this more laid back version, seemed to speak to me specifically last night. I heard the lyrics like I had never heard them before and they just sung to me, man, I want some of what ever (or whoever) she was having when she wrote that, oh yeah!!!!!!! The lyrics to the 2 verses of that song are perfection, anyway, without getting too personal, I was incredibly moved by her performance of that.....and isn't that what live performance is about. I am so pleased I had the opportunity to epxerience these magnificent musicians and the magic they created on stage last night.

OSCARS 2010 (2009)

I love The Academy Awards, ok, I do love any kind of ceremony, but nothing comes close to the Oscars.

It's hard to explain without sounding silly, sentimental or strange, but they are sort of like my religion.

I love them mostly because I love film - not movies or blockbusters but real cinema. The type of film that challenges you, makes you think and transports you to another place or headspace, preferably not via a bluescreen or by asking you to leave your brain at the door.

I like a lot of different styles of cinema and they range the entire era and genre of film. I love silent film, particularly the films of Chaplin. I love films from the 30s and 40s, most especially Screwball Comedies with fast talking women and smooth talking men, Manhattan apartments and cute dogs. I also like film noir, westerns, Hitchcock and Frank Capra. The 50s and 60s also have some great films, mostly extensions on what I mentioned in the 30s and 40s but also musicals, b-grade sci-fi and foreign films, particularly those of Fellini. The 70s were gritty, real and the original independent era with stellar actors like Brando, DeNiro, Nicholson, Hackman, and Pacino at the forefront and directors like Altman, Coppola, Scorsese, Kubrick and Polanski shining through. The 80s were about my teen years so often chock full of guilty pleasures like Ferris Bueller's Day off, Ghostbusters and Jumping jack Flash and a really great range of excellent dramas like Reds, Sophie's choice, Kiss of the spiderwoman, The last metro, My beautiful laundrette and Betty Blue. Independent film and foreign film rule the 90s for me and there are just too many modern day classics to mention. From 2000 onwards it is harder, it is more about the director and the script and what I call modest film - the ones that often slip under the radar but pack a real punch. The last 10-15 years has also seen a huge rise on documentary as feature film - sometimes I think I like more docos than actual films.
There are so many brilliant films, just too many to mention....possibly another post for another day.

So when you look at The Academy Awards they hold the most history, they have been around the longest and therefore include the chance that they just might decide to showcase that history within the ceremony. What I mean is they may pay homage to a genre of film, roll out an older actor or actress to present or just have some sort of golden age of Hollywood moment - and as a film buff, it would be insane to miss out on viewing that. Think about the spectacular moment post 9/11 when Woody Allen (my favourite modern director) surprising everyone by turning up to do a magnificent homage to New York Films, a surprise like that is more than worth the night's viewing. Having said that they are often a flawed couple of hours - think of who wins against who loses (I mean Forrest Gump over Pulp Fiction - I have a fabulous cartoon on my study wall of Tarantino with a gun to Gump's head - fantastic!!!!) and how bloody long it took for Scorsese to win one and people who never won one - Alfred Hitchcock!!

For the record - my favourite moments from the past decade or so are (in no particular order):

• Roberto Benigni and his absolute joy
• Woody Allen presenting a Post 9/11 'bit' on films of New York City (actually this is probably Number 1, mainly because it was a genuine surprise and beautifully presented)
• Billy Crystal hosting (every single time)
• Whoopi Goldberg arrivals as host (both times)
• The anniversary shows with the 'class' photos
• Hugh Jackman and Anne Hathaway last year
• Cher winning for Moonstruck
• Jack Nicholson grinning in sunglasses in the front row - it's never quite the same without him
• Martin Scorsese finally winning best director (for one of his lesser films!)
• Uma....Oprah, I actually thought it WAS funny, but then I love Dave!!
• The Lord of the Rings sweep

Yeah, the fashion is fun but it is really the ceremony and the surprises that I love, so much so I have a media ban for the day, and for the past decade have taken a day off work to ensure that ban is met. The nutty (but hey I have no children and am always focused when I am at work, so I am entitled to ONE day!) reason behind this is the year that Russell Crowe won was spoilt by a staff member (I was working at HQ at the time) with a incredibly loud voice blaring that he had won, I was furious and outraged at such a display of insensitivity (although, not entirely surprised) that I left early before anything else was ruined and have done so ever since, LOL!! Tomorrow is actually my RDO, so no A/L this year. To date every year, a close friend will ring me part way through to tease me and ask if I want to know who won best actor, it makes me laugh every year!!!!!!

As you can see I could go on for ever about Film and The Academy Awards, but I shall spare you all from complete boredom and give you my predictions!!!!!

I have been trying to pick winners for since the late 90s and I hope to beat my personal best of last year when I choose 20 out of 24.

OSCAR PREDICTIONS 2010 (for 2009)

Best Picture
Hurt Locker - this is the only main category I am not 100% sure of. I most certainly do not want Avatar (or more likely James fucking Titanic Cameron) to win. I do think Inglourious Basterds should be right up there, but Hurt Locker is what I have locked in. (with 10 categories and different voting it will be interesting to see how this one pans out)
Director
Kathleen Bigelow all the way - only the 4th woman to be nominated, come on academy let's settle this one right now!!!!!!! Shame for Quentin as IB is his masterpiece to date (sure I loved Pulp Fiction better) but this is a cinematic masterpiece and the direction needs to be honoured, however this year I feel it for the women!!!!!
Leading Actor
The dude abides....if this means nothing to you, then shame on you!?! Jeff Bridges pretty much has this pre-stamped, not just because this subtle yet messy performance is note perfect but because he has a career, decades long chock full of subtle, yet messy performances. My favourites are The Fisher King, Fearless and the aforementioned Big Lebowski. I think it is a shame Colin Firth is up against Bridges, but hopefully Mr Darcy will have opportunity to shine again, as this year it is Jeff all the way.
Leading Actress
At this point it is Meryl (whom I love and adore) against Sandra Bullock (who is one of those actresses who is normally just there, not great, sometimes bad, often amusing, but never shines). Meryl is divine as Childs, but if she wins this year that puts her unenviably close to matching Katharine Hepburn's record of 4 wins (for acting) - a record I do not believe should ever be broken. Plus the academy really loves to reward younger actresses - my money is with Sandra.
Supporting Actor
A great selection of character actors, and this year it has Christolph Waltz written over it, expect a classy and witty speech.
Supporting Actress
This is often the wild card genre - Marissa Tomei anyone? However it looks certain to be Mo'nique's year and I shall stick with her.
Animated Feature
Up it is, heart, story, characters, fun and poignant. I did love Coraline, but as I had read Gaiman's brilliant book it did not surprise, it was note perfect. Up was also note perfect but DID surprise.
Art Direction
no freaking clue - I suppose Avatar.
Cinematography
Going with Inglourious basterds.
Costume Design
Young Victoria looks pretty gorgeous, although it does seem wrong to vote against a movie about Coco Chanel!
Documentary Feature
I have had the pleasure or should I say displeasure of viewing the very distressing film The Cove (about the senseless slaughter of dolphins in Japan) and feel it would appeal to the academy.
Documentary Short
Going with the one about the 2008 earthquake in China, China's unnatural disaster.
Film editing
Usually matched to best film, so going with The Hurt Locker.
Foreign Film
The devilishly wonderful Michael Hanaeke deserves a golden boy, so going with The White Ribbon
Makeup
Star Trek because it needs an Oscar and the make up WAS cool!
Original Score
Up had a great soundtrack.
Original Song
Has to be T-Bone Burnett and The weary kind (from Crazy Heart)
Short Film Animated
Always go with Aardman and Wallace and Gromit, so money is on A matter of loaf and death
Short film Live action
Kavi is about child slaves and a hollywood topic at the moment, so let's give it a go!
Sound editing and Sound Mixing and Visual Effects
Avatar for all three
Screenplay adapted
As much as I would love my man Nick Hornby to get an Oscar, my money is with Up in the air, a much loved film with not much chance of getting anything else
Screenplay original
Inglourious Basterds all the way ---- go Quentin, we do love you!

I hope you all have a wonderful day doing whatever you are doing tomorrow, I will be chilling with a glass of champagne and enjoying the ride that is The Academy Awards.

2008

I have stashed away a whole bundle of tickets in a hard to get place, so am relying on my diaries which are not always up-to-date or readable and will attempt to do year by year with brief notes. This is more for my records than your pleasure, but will welcome any additions from those who attended programs with me, Cathy xoxo

SPICKS AND SPECKS SHOW - Tuesday 8 January, Civic Theatre

This was a grave disappointment - they tried to be Rockwiz and take audience members from the Newcastle audience (you can just imagine). What works in cool Melbourne with real rock fans does not work for an ABC audience in Newcastle - it was more than embarassing. It was fun to see Myf, Adam and Alan in the flesh and it was not all bad, but the audience participation -something I have never been a fan of in any way, shape or form (I am paying YOU to entertain me, not the other way around!!!!!!) - just spoilt it. The things that make S&S are the guests they have on and the repoire between them all, not necessarily the music or the questions.

THE POLICE - Thursday 24 January, ACER Arena

This was brilliant, although I was initially worried. A huge fan back in the day I adored The Police and have all their records/tapes. Sting still sounds ok, but what about the others, can they pull it all off, especially in such a large arena. I need not have been worried. We had great seats which was pleasing and after a very bizarre support of Fergie (what the fuck??????) they came on. The feeling in the air was electric. Boom straight into Message in a bottle. What I loved the most was it was just the three of them on stage (all in their 60s), looking great and sounding fantastic!!! No extra guitars or keyboards to pad things out - not needed. The set list was beyond impressive, although I missed Canary in a coalmine. Every song a hit, every song you knew - I was on air for days after. Set list is as follows (thank god for the net!)

• Message in a bottle - fabulous
• Synchroncity II - a surprise, it had been a while and I had forgotten that song even existed, shame!
• Walking on the moon - good (overrated)
• Voices inside my head/When the world is running down - nearly crapped myself, LOVED these, sooooo fabulous
• Don't stand so close to me - reworked, ok
• Driven to tears -great
• Hole in my life - we went off, goes without saying!!!!
• Every little thing she does is magic -another overrated song, but went over well
• Wrapped around your finger - highlight of the night - HAD to be seen to be believed, Copeland recreated the percussion in this in a magical cavalcade of mastery and perfection, he lept from drumkit to percussion set like a pro and the percussion set was unlike any I had ever seen, how ONE man created that sound (EXACTLY like the record) with all those instruments without ever missing a single beat, I will never know, honestly the most amazing thing I think I have EVER seen on stage....wow!!!!!
• Can't stand losing you/Regatta de blanc - woo hoo
• Roxanne -the one song I could have done without, but was pretty good, excellent lighting used with pulsing reds
• Encore of King of Pain (glorious), So Lonely (yeahhh!!!) and Every breath you take (and amusing comments from Sting re people who STILL do not get this song and think it is a love song. tsk, tsk)
• Encore 2 of Next to you - How bloody cool to end with that, could not get it out of my head and that is a very good thing!!!!

THE CLUB - Wednesday 5 March - Civic Theatre

This was an unexpected one, as scored some freebies and it was brilliant. Love all Williamson, most especially the early stuff and had seen a local version of this many years ago, this had the old dude from Blue Heelers in it (never watched that show, not a fan of Australian 'popular' drama) and I was concerned, but he was fabulous. Worth seeing and funny how all the 'politics' in it have not changed a bit over the years.

WAITING FOR GODOT - Saturday 29 March - Playhouse

Never seen Godot and let's face it, it can be a boring play. This was a great version with fantastic and mesmerising performances, the second half still ran a little long, but all in all was excellent.

CIRCUS OZ - Saturday 19 April - Civic Theatre

My second time back in Oz and again a magnificent treat - one of Krista's (MGF) last performances as MC - she was formidable and always had me transfixed, as an MC should, not sure how they will go without her. A lot of scenes and stunts recreated from last time- but still a pleasure to watch, that feeling when your heart is in your throat is amazing, they are amazing. Love the acrobatics, especially with the musical instruments. Some new stunts and all in all a great show. I suppose the only thing was not having the feeling of seeing them for the first time (which obviously is a one time thing) - such a pleasant surprise and a wonderfully stunning feeling.

KEATING, THE MUSICAL! - Saturday 24 April - Civic Theatre

What can be said about this, that has not been said before. The most unique, amusing and fantastic thing I had seen in a long, long time. We had excellent seats, close up (3rd row I think). The music was tight, the style of song suited the theme perfectly and the lyrics hilarious and plain clever. The acting, dancing and singing note perfect. People you had forgotten about, phrases and situations brought back to the fore. Perfect as Keating was...perfect :) Serio as Hawke (and Howard) possibly better. My sides hurt, the tunes ran in my head, I just did not want it to end, BRAVO!!!!!!!!!!!

THE HAPPY PRINCE - Friday 13 June - Playhouse

Was for children, but we had a blast - just the right length, beautifully staged, with performers, puppets, shadow puppets, and so forth. Just hit the right note of humour and melancholy as the book does. I really enjoyed this production.

AS YOU LIKE IT - Saturday 28 June - Civic Theatre

This was a great performance and almost sold me again on Bell Shakespeare (until this year!).

YEAR OF MAGICAL THINKING - Saturday 19 July - Civic Theatre

I had been waiting in anticipation of this when I first heard it was coming to Newcastle with Robin Nevin directed by Cate Blanchet. I had read the memoir by Joan Didion when it first came out, being a fan of her writing and all. She is America's Helen Garner - honest, spare and brilliant. It is the memoir of dealing with her husband's (writer John Dunne and brother of Dominque, whom I adore and miss terribly - at least they are together now) sudden illness and subsequent death and almost simultaneously a similar situation with their daughter. Whilst it sounds a bleak and awful sumise (and at times it is) this is the most beautifully and honest written book. I was curious to see how it would translate on stage (I felt it could be done) as a one woman show. I was thrilled at how raw and honest yet so warm and appealing it was. Nevin was a tour de force, we were laughing one minute and choking back tears the next, it was never cliched or hooey, always smart and highly intelligent, the book and the woman were lovingly recreated. I have heard someone is adapting Garner's The Spare Room in a similar fashion, I hope so. Both should be read as companion pieces - masterpieces of great female literature!

STEVEN BERKOFF - Wednesday 27 August - Civic Theatre

Acclaimed British actor did 2 (or 3??) short plays in this one man show - he was convincing and held the audience in the palm of his aging hand, as you would only expect. He did deep and scary Poe, a hilarious english take on drunks and their dogs and I thought a third, but just cannot recall. Was a joy to see the master at the top of his game - amazing!

THE PRODUCERS - Friday 19 September - Civic Theatre

I love this play, I loved the movie, Mel Brooks is my hero! I have seen excerpts of the Lane/Broderick phenomonen on TV. It was on when I was in NYC in 2001, you could not get tickets for love nor money, I hung around the theatre just to soak up the fabulousness of it all. Mary and I saw the aussie production in Melbourne a year or so earlier - it was magnificent. This was not, in all honesty, it was not too bad, but against the forementioned pedigree, it never had a hope in hell. Lovely Melinda Smith the newsreader as sexy Ulla (although she did not do too bad to her credit) was never going to pull it off. If you had no knowledge of the above, you would say they did a good job and I suppose they did. I knew it was a bad move when I got the tickets, always trust your gut!!!

THE PITCH - Saturday 27 September - Civic Theatre

All I can remember is laughing a lot at this funny local play about pitching a movie idea!

THE WHITLAMS - Saturday 4 October - 16s

Have seen The Whitlams a few times before and Tim Freedman do a solo show also. They are a great band, but lets face it, it's all about Tim. The 16s is always a 'challenging' venue to go to, Bogan City I call it, lots of boozed up, ageing bogans, mostly behaving innapropriately...I digress!!!

This was a best of tour and that it was, every song you want. My favs are I Like Hamburgers and You sound like Louis Burdett. The place was rocking and jumping, had a great time. Peter and Mary attended, I believe Mary was heavily pregnant with Luke!

ULTRA SWING LOUNGE - Saturday 25 October - Civic Theatre

As always a classy event to see, but each year it seems to dip a little, nothing like the first time I saw them (that review will be coming soon so stay tuned). The big band was good, the singing and dancing good and if you had never seen them before you would be blown away. They seem to downsize ever so little each year and it needs to be a big thing - it is swing after all. The new guy was pretty good, incredibly young, but I missed the blonde guy - his humour was better than the others, and whilst his voice was certainly the weakest, his showmanship was probably the best...no mind, I will still see them every time...better than most things you see!

THE RED SHOES - Saturday 15 November - Civic Theatre

My recollection of this Ballet is very hazy, suffice to say I remember enjoying the performance of this classic ballet movie.

ROGER MOORE BOOK LAUNCH - Tuesday 18 November - Hayden Orpheum Cinemas, Cremorne

Very exciting to see 007 in the flesh in this special event which was a promotion/book signing for his memoir. He looked good for his age (late 70s I think) and was interviewed by the wonderful David Stratton. They showed Bond clips and he spoke about film, acting and all sorts of things. He was very engaging and a delight to see. It was not a long event, but really worth it to see a screen legend in the flesh.

And then there was the Hayden - I had never been there before and was instantly in love. The set of cinemas are refurbished in Art Deco style with lavish lighting and colour and curtains and so forth - to be seen. Very grand and lush - owned by none other than Mike Walsh. The main cinema has a beautiful old organ which comes up through the stage floor and is played prior to the film. The gentleman who plays it is fabulous and played a selection of Bond themes leading up to Roger arriving. Then it disappears below as he is playing and the floor goes back across the pit seemingly missing the top of head (while he is still playing) by mms. Again to be seen!

MONET EXHIBITION - Thursday 27 November - Sydney Art Gallery

This was most disappointing, the paintings were lesser paintings (and not good ones) and the other impressionists gathered in the exhibition were few and far between. Got the thing done in around 30minutes.

COMEDY: WHARF REVIEW

LOCATION: Civic Theatre, Newcastle

DATE: Friday 23 October, 2009

WITH: Mary, Keryl

What a blast this was, my first Wharf Review, not sure why I have not seen one before, but cannot wait for the next. So much happens, what talented, clever and witty people they are. All the politics (and other bits, but mostly politics) were set to fast, flashy music - things you would know. The first section was the Rudd Government and others set to Harry Potter, incredibly clever and very funny. My ribs and cheeks hurt from the get go, not a person was spared, past and present.

I would do no justice is trying to retell any of the gags, but they were funny. There were Supremes numbers, a bit of Cohen, standards, you name it - the songs chosen and the lyrics changed suited each position. There was film and sight gags, lots of dress ups and great singing and playing. I for one will be back this year.

DANCE: SID'S DANCING MASQUERADE

LOCATION: Civic Theatre, Newcastle

DATE: Saturday 22 August, 2009

WITH: Keryl

This was the most wonderful program from the Sydney Dance Company, a contemporary piece with mixed styles of dance. It began most dramatically with a muscular dancer in a classic suit high up on a swing above the Civic stage. He was miming to a very theatrical but jazzy song. It was lush and sexy, amusing and cheeky, contemporary yet classic and you knew immediately this was not going to be an ordinary evening of dance.

I have not attended much dance, and have a preference for classic ballet; I would find it hard to believe anyone could not have enjoyed this. The group were a range of sizes, shapes and styles, male and female; their costumes were stunning, bold colours, muted tones, very modern yet at times with a classic edge. They danced to dramatic jazz and classic style music, nothing I really knew, yet at once very familiar and listenable. The stage design was spare and the lighting just right, there was humour and pathos and loads of talent. I did not want this to end, it was perfect.

MUSEUM: STAR WARS EXHIBIT

LOCATION: Powerhouse Museum, Sydney

DATE: Saturday 28 March, 2009

WITH: Amanda, Karen, Malcolm, Lachlan, Charlotte

We had such a fun family day this warm, sunny Saturday back in March. We met at the Powerhouse, Amanda is a Star Wars fan and subsequently Lachlan also is a fan. The exhibition was pretty good, for all ages. Lots of geeky techo stuff and lots of hands on good for adults to play with and enjoy and good for inquisitive little hands to check out. There was heaps of actual costumes and props and ships and so forth. Lochie got to check out Luke Skywalkers pod and have a go on a simulated vehicle of a similar nature. Charlotte was rather fascinated by the simulator and rightly gave another kid a mouthful of cranky when they got in her way! We saw Darth Vader, Chewie and Yoda amongst others. There was a small stage show with robots and R2-D2 which was great, but a little long for the littlies. Then there was the shop!! Not sure what excited us more the exhibit or the toys to take home. Day continued with lunch at Darling Harbour in the park, then a trip to the Maritime Museum. Mal and Lochie enjoyed a tour of the ships in the harbour, us girls chose to sit in the sun and chill. The museum itself was also very entertaining for all of us.

PLAY: THE SEED

LOCATION: Civic Theatre, Newcastle

DATE: Saturday 18 April, 2009

WITH: Mary

The Seed was Mary's choice and she convinced me to come along, and I am so glad that I did. This was extraordinary and powerful. A young girl and her father travel to his homeland of Ireland to visit his father. The father is a Vietnam vet, the grandfather an old toughie who may or may not have worked with the IRA and the daughter has serious issues of her own which unravel as the play continues. Each one of these actors were rounded, brilliant and touching. You found yourself laughing one minute and bawling the next. The actress playing the daughter wrote the play and it is semi-autobiographical. How she manages performance after performance is nothing short of amazing. Mary really related to the "Irishness" of the story, but you did not have to be Irish to enjoy it. This was truly powerful and one of the best plays I have seen in a long, long time.

PLAY: SOMETHING LIKE LOST, SOMETHING LIKE FOUND

LOCATION: Playhouse, Newcastle

DATE: Saturday, 13 June, 2009

WITH: Mary

This was a great little play by local theatre company. Set around a youth centre and school, an amateur filmmaker is making a documentary about teens and their feelings. The film maker uncovers more drama than expected with a missing teen and another's relationship with an older teacher/politcal figure. The acting was great and passionate and the filmmaker was actually filming on stage which added extra dimension and tension to the play. It was incredibly funny but also very harsh and confronting.

The B-52s

B-52s

How I love these guys, the costumes, the hair, the oddness. I could have included Rock Lobster, or Quiche Lorraine or Planet Claire or even Love Shack but that would have been obvious. I choose the songs that back why I really love these guys, great pop sensibilities with really soaring harmonies and vocals. Their new album is not bad, they still have it, never seen them live, shame, not sure how they would be these days, they do look a little botoxed, but hopefully they sound ok!

TRACK EIGHT: Deadbeat Club
Both tracks are from my favourite album, Cosmic Thing. The harmonies are high and lush, the beat addictive on this one. Highly listenable and makes you get up and dance.

TRACK NINE: Roam
A little rockier, but still perfect pop. This is a standout, "hip to hip, rockin' through the wilderness" - yes please! Not normally a fan of 'clapping' in songs, a bit wanky, but I always clap with the claps in this one.

PAT BENETAR

BENETAR, PAT

Pat Benetar was great, so rock and so 80s. Her songs were rocky and good, but the chosen track just stands out and takes you back in an instant.

TRACK SEVEN: Love is a Battlefield
Starts off with that very 80s drum (possibly machine?) and keyboards riff. Then there is the spoken/sung starting lyrics: "We are young, heartache to heartache we stand, no promises, no demands love is a battlefield", then those fabulous strong, woah, woah, woahs. And the forceful "We are strong", her voice is on fire here, yet vulnerable. Had me hooked from the start, but that just keeps you there, determined and rough, cool and rockin'!!! And then there was the dance, come on, you KNOW you know it!!!!