Her
I knew a little of Her going in...Joaquin
Phoenix falls in love with his Operating System. Written and directed by Spike
Jonze, I figured it'd be awkward, quirky, funny, and sad.
And it was...but it was so much more including so
very, very human.
Phoenix is Theodore Twombly, what a most
delightful name! He is in a state of mild depression, melancholy, and upset
since his wife (Rooney Mara) divorced him. He works at a letter agency, where he
types up beautiful, heartfelt letters for people. What a unique concept, I loved
the idea of this, though in a way it is a little sad. Imagine paying someone to
write a birthday card or letter to a loved one. Through the writing of these
letters, you can see Theodore is a sensitive, sweet guy. His friend Amy, Amy
Adams, is similar in nature. I adore Amy Adams, whilst only a small but integral
supporting part, there is something about her, she adds a special something to
every film she stars in.
The set design - which I absolutely adored - was
futuristic yet believable. Highly stylised, from the beautiful woolen high-top
pants the men wore, to the technology used and understood by everyone. It
appeared to be a quiet, reflective, zen community, this near futuristic LA. It
was hypnotic to watch the people scenes, as they moved about from the subway to
work to home.
So when Theodore changes his operating system and
selects a sexy female voice (Scarlett Johansson), and begins to fall in love
with it you actually buy it. And this is where the movie really works...the
'romance' has to be believable. So much so that when he begins to tell those
close to him, they barely bat an eyelid.
But things get out of control and the film takes
a darkish turn, and you'll have to see the film to find out what really
happens.
Phoenix was stunning and adorable as Theodore
Twombly, you believe his every word and feeling. An absolute crying shame he
was not nominated for Best Actor!
The script was pitch perfect, it walked a fine
line and it worked. Kudos to Jonze, who has obviously spent a lot of time around
Charlie Kaufman.
I really think the movie was about connecting and
how we all desperately want to find someone to connect with, and how easy it is
to fall in love with someone who you feel gets you (whether it is the kind of
romance you have with like-minded friends or actual lovers), and how very deeply
we can fall in love when we realise we have
found a kindred spirit...regardless of their suitability.
Her is a great movie, one that stayed with me for
days. I still think about it, and I love it when a movie does that.
12 Years A Slave
Wow, this was heavy going but what an amazing
story. Now, I realised it would be a harrowing film but not quite how much.
It was shot in a very discombobulating fashion during some of the scenes. So the
action and story were emotionally upsetting, but this made you feel physically
upset, uncomfortable, at unease. This is not to put you off but to have you
really understand the pain and suffering these people used as slaves went
through.
12 Years A Slave is the true story of Solomon
Northup, a free black man, who unwittingly becomes captured and sent south as a
slave. An intelligent, cultured man, who finds himself in the worst of the worst
conditions and with no reprieve but the kindness of strangers, and they were
very few and far between. The scenes leading up to and including his capture, and
then his transport to the auction houses (Yes, they auctioned these people off!)
were very unsettling. Steve McQueen's direction cemented the unsettle,
disjointed scenes of the paddle steamer boats paddles grinding the water and so
forth were offputting yet stunning. The cinematography of the beauty of The
Mississippi against the brutality of the injustice ensured profound
viewing.
Once sold, by the horrific and ironically named
Freeman (Paul Giamatti), to the gentle Ford (Benedict Cumberbatch) Solomon had
things a little 'easier'. However, Ford's kindness towards Solomon was
unappreciated by others on the Plantation, and after some incredibly harrowing
scenes, Solomon was moved on to work for Epps (Michael Fassbender), a nasty
piece of work. And it was here, that the unease ramped it up a few notches.
Mostly with Fassbender's interaction with Patsey (Lupita Nyong'o), a maid on the
plantation.
Yes, it is a horrific story of all our pasts, and
yes at times I was pained and in tears, but this is a must see movie. The story
is incredible, from start to finish, and ultimately uplifting when you know the
history that came (all too slowly) after. It is a visual masterpiece, there is
no doubt about it, and it has a soundtrack that is near perfection.
But it is the acting that makes this magnificent
movie an instant classic. Chiwetel Ejiofor is Solomo, and commands your attention in every scene.
There are no words to describe his performance, it is simply the role of a
lifetime and he more than makes it his own. Lupito Nyong'o broke my heart, she
was note perfect as the aptly named Patsey. Also Adepero Oduey as Eliza, who
worked at the earlier Plantation, a woman separated from her children, her
performance was like watching someone's heart break from the outside. Giamatti,
Cumberbatch, and Paul Dano (a nasty redneck) were superb as deeply flawed men,
but Fassbender's Epps was so nasty and mean, he will go down as one of the all
time villains in movies. Also outstanding in smaller parts, Sarah Paulson as
Epps' wife, and Brad Pitt in a small but pivotal role.
12 Years A Slave was another movie that
stayed with me for days, it haunted me, still does. And I think that is
important, go and see this film, you will be rewarded for the
experience.
Dallas Buyer's Club
Oh my, talk about seeing harrowing films back to
back, this was another one with some rough scenes that almost broke me. However,
it is also a film with a lot of laughs, and great deal of heart, and an important
part of our recent history.
It is the true story of Ron Woodroof, a redneck
electrician and hustler, who makes money on the rodeo circuit. After an
electrical incident, he is taken to hospital where he is diagnosed with HIV and
given 30 days to live. A womaniser and homophobe, he refuses to believe he has
it and thinks they made a mistake. After deteriorating he ends up back in
hospital in a ward with transgender woman, Rayon (Jared Leto), and being looked
after by Eve (Jennifer Garner), a kind hearted doctor.
Once Ron comprehends his reality, he begins to
research drugs and finds information on one unapproved in the US, but available
in Mexico. He travels to illegally obtain the drugs, more than he needs, to sell
to other patients and make a little money on the side. And so it begins, a
journey to many foreign locations, hustling and buying drugs, bringing them in
illegally and trying to stay one step ahead of the law and the disease itself.
This makes for heart wrenching drama and black humour in equal
doses.
And along the way he not only befriends Rayon, but
cuts her in as a partner on his deals. The character arc of Ron Woodroof not
only as a patient but as a human is simply incredible. Set in the mid 80s, as
Rock Hudson dies and people just don't have the knowledge we have today,
watching the developments was heart wrenching.
Matthew McConaughey will surely take home Best
Actor at the Oscars for this performance. You forget it is McConaughey and start
to think you are watching a documentary, his portrayal of Woodroof is that fine.
I was never a fan of his Southern 'charm' and poor choice in roles, but as he
has gotten older he is choosing more interesting parts, supporting characters
with guts, and these last few years has led him here and, like Ron Woodroof, his
personal journey has been outstanding.
Jared Leto is unrecognisable as Rayon, again, he
will surely take home Best Supporting Actor. Watching Leto and McConaughey duet
on screen is one of the finest performances you will see. Add in the steely
reserve of Garner's Eve, Steve Zahn's redneck cop, and the solid Griffin Dunne
as Dr. Vass, and you know you are in good hands.
Why is it called Dallas Buyers
Club?
Well, you need to go along and see the film and
find out. You'll be surprised and pleased, but remember to take tissues...it was
a two hankie film for me, but I'm a bit of a sook!
Nebraska
Nebraska was such
a change of pace to the other films. Filmed beautifully in black and white, and
directed by Alexander Payne (Election, Sideways, About Schmidt, and The
Descendents), Nebraska is the tale of Woody Grant (Bruce Dern), a cantankerous
fellow who is frustrated with his elderly life and is convinced he has won one
million dollars in sweepstakes. The sweepstakes are obviously a scam but he is
certain he is a millionaire and keeps escaping from his home in Billings,
Montana to walk to Lincoln, Nebraska to collect his money. His wife, Kate (June
Squib) is fed up with his vagueness and wandering. His sons are called to
assist. Both live in town, Ross (Bob Odenkirk) is a wannabe news anchor, and
David (Will Forte), an electronics salesman.
So David indulges
his father and drives him to Lincoln to see if he has indeed won. They stop
in Woody's hometown of Hawthorne along the way for a family reunion of sorts.
Although, things are not quite as friendly as they seem, when the family gets
wind of Woody's 'winnings'.
Nebraska
is essentially a father/son road movie and a glorious one at that. It is a slow,
even paced film, almost mirroring Woody's slow and shuffley gait, and we are all
the better for slowing down to take in their lives and watch the stunning
cinematography of the country terrain, filmed in sharp black and white. It is at
times a little slow and quite melancholy, but that is broken up with great
humour and some great moments, especially during their short stay in Hawthorne
and the interactions with the characters there.
The characters in
the town of Hawthorne, and the family members are delightfully drawn, apparently
some of them locals and not actors (much as he did in Hawaii in The
Descendents). Stacey Keach is particularly good as Ed, Woody's ex business
partner, also Devin Ratray and Tim Driscoll as Woody's redneck
nephews.
Bruce Dern is
superb as Woody, a man of little words, and ill health, he acts through his
drawn, hunched, and shuffley body. June Squibb steals every scene she is in, her
face is luminous, and her angst and distaste for situations and some people is
hilariously venomous. It is a truly outstanding and feisty performance. However,
for me, it was the delightful performance of Will Forte as the unshakeable
David, which drew me in the most. A laid back fellow, who obviously has issues
with his father, but clearly adores him too. His kind face and mannerisms, and
the patience he had through multiple taxing situations along the way were played
with subtle charm and sweetness.
This is a lovely,
heart warming story, filmed only as Alexander Payne can. The black and white
cinematography is postcard picture perfect. It is worth the journey, take the
time out to slow down and join them on the road to
Nebraska.
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